PERSONAL DEVELOPMENT PLAN

BA (Hons) FASHION AND TEXTILES

Student name: Sophie Sprittles

PDP BRIEF – FINAL MAJOR PROJECT PROPOSAL

Title of Brief: Urban Equipment

part 1: outline of ambition for third year of study

In the realisation of my final major project, I aim to produce a collection of 6 outfits which demonstrate my strengths as an emerging designer. My collection will showcase my depth of technical and creative design skills which I have developed to an industry standard during my progression on the degree. In the production of my final collection, I will demonstrate my specialisms in innovative fashion construction and alternative materials. I intend my final major project to portray an extensive and considered body of work, demonstrating focused research and critical development, and fashion collection outcome supported by a professional standard portfolio.

I aim to specifically tailor my final major project to support my future ambitions in my progression to industry. My design internship at Harrods of London enabled to consider my preferred position as a designer within the fashion industry. My future ambition is to design for a high-end, high fashion brand, and therefore I will build this direction of market and consumer into my brief. This will enable my final major project to demonstrate my skills as luxury commercial designer and increase my chances of securing employment in this sector of the industry.

Alongside the physical outcomes of my final major project, I intend to support my body of work with a considered self promotion plan – realised through a photoshoot, fashion show, New Designers and self-marketing through social media platforms. A considered and implemented plan of self-promotion, combined with the continuous support of my mentor, will enable me to make connections with industry throughout my final major project and support the achievement of my future career ambitions.

My aim is to design and realise a unisex collection of six outerwear focused high-fashion looks – supported by an industry standard portfolio, extensive body of work and a successful self-promotion plan. I intend to achieve this through the collation of focused primary and secondary research, and an extensive and continuously critically and innovative progress of investigation and design development. It will be essential for me to work to a planned time schedule, attend university consistently five days a week throughout the project and have frequent contact and feedback from tutors.

My final major project is response to WGSN’s trend ‘Urban Equipment’ (Worldhood AW18/19). I will take inspiration from elements of this trend to initiate my research for this project, in which design direction is taken from urban objects. My primary research will therefore be sourced through a series of photography in urban environments and town centres. Secondly, I plan to focus my technical research on extreme and high performance garments. This will include exploration of civic workwear, military clothing, emergency service uniforms and specialist cycle wear – analysing materials, construction techniques and design details to rework in a high-fashion context. In designer focused research, I plan to take inspiration from relevant upcoming brands, specifically Vetements. I will conduct a case study on Craig Green AW17 – analysing the components as structure of a current designer collection, while my trend aware project will take inspiration from the prominent menswear SS17 trends in relation to ‘Urban Equipment’ as noted by WGSN.

The working methods and technical skills appropriate to fashion design are essential to the successful outcome of my project. Fashion construction will require me to apply a high level of understanding of pattern cutting, practical construction ability and sensitively to alternative materials to design and realise my collection. An extensive process of toiling and sampling construction method and exploration of materials will be necessary to the technical success of my collection. Digital design is also a vital working method. My advanced photoshop and illustrator skills are essential to my realisation of my final major project. My technical fashion specification drawings and the production of an industry standard portfolio will rely heavily on my CAD skills.

In addition to technical skill, the application of specific materials and design processes are essential to the development and innovative outcome of my final major project. I plan to use alternative, functional, industrial, high performance and found materials. This will include trunk liner carpet, plastic, reflective surfaces, and mesh materials. I intended for my collection to feature extreme hardware and design details, therefore I will thoroughly consider the alternative sourcing of trim and fastenings. A focus on materials is a significant part of my final major project proposal. I plan to carry out extensive research into both non-fashion materials and high end fabrics, including fastenings and trim. The sourcing of both materials and design components are reliant on my suppliers. Following pre-collection in which I maintained a list of appropriate contacts, I have initially considered Misan Textiles, Broadwick Fabrics, The Cloth Shop, The Cheap Shop, hardware stores and Kliens as targeted suppliers for this project. I ill explore how I can rework functional materials though directional pattern cutting, to create an extreme aesthetic within a luxury fashion context. The realisation of sourced materials into fashion outcomes will require specific resources. A focus on innovative fashion construction in my project presents the fashion construction workshop – in particular industrial machines, leather machine (heavyweight and alternative materials) the overlocker as essential resources.

I intend for my unisex collection to be directed at AW18/19 in a luxury, high fashion market. In the research development of my FMP, alongside creative research I will build a commercial understanding of my market, through conducting a focused shop report, analysis of comparative brand competitors and awareness of my target customer. I propose for my collection to hypothetically be retailed at Dover Street Market internationally. I visualise my final collection to be marketed in a collective retail space that explores visual installation and presented alongside emerging high fashion brands with similar customer focus, price point and design concept. My specified customer is the emerging youth scene of cities worldwide. It is not gender specific. This consumer embodies fashion as a statement – a means of purpose and self-expression. As our urban environments rapidly adapt and we are desensitised to seasonal trends, the inhabitants – and therefore my consumer – demand fashion to forge a parallel with constantly advancing cities. Sensitivity to the environment becomes crucial to the evolution of fashion. The audience I aim to design for is concerned with the fast-fashion industry and therefore invests in garments with an equally high level of function and quality, as well as an extreme and trend conscious aesthetic.

part 2: social networking, critical analysis of FMP research and future career direction 

In conjunction with the realisation of my final major project, I have implemented a considered self promotion plan throughout my third year in the preparation for upcoming graduate shows, to gain industry recognition and promote myself as an emerging graduate designer: making wider connections which could lead to future career opportunities. In the current industry, social media has a huge influence on the job prospects of creatives and this was something I was highly aware of when planning my self promotional proposal.

I have used a number of social media platforms to websites to broaden my online presence as un undergraduate designer. These include professional Instagram account (@sophiesprittlesdesign), my blog via WordPress – which directs viewers to my Linkedin profile and CV. I also have used Artsthread as an effective platform to showcase my portfolio. I addition I have built a website to provide a professional online presence for my design work and final collection (www.sophiesprittles.co.uk). Through engaging with a range of social media, I have effectively marketed myself as an emerging designer, created wider awareness of my work, while successfully connecting with industry professionals.

My online presence has enabled me to connect with a wider audience and make professionals and peers aware of my work prior to the upcoming graduate exhibitions – New Designers and the Degree Show. My exhibition planning and presentation proposal is a vital part of my self promotion plan in effective conjunction with my social media presence. I have conducted research into the organisations behind New Designers, and the awards and competitions at the exhibitions, outlining particular opportunities which I meet the criteria for. In the preparation for New Designers I have read the handbook, while my visit in 2016 gave me awareness of the show, the national standard of graduate work and ideas for exhibition presentation. I propose for my installation to showcase a considered refinement of my work: garments, portfolio and photoshoot images, and use industrial fixtures and urban objects to reflect the mood of my project, enable my work to stand out amongst competitor graduates. In addition to my exhibition planning, my self promotion plan included professional photoshoots and fashion show, providing me with strong imagery of my collection to use as a promotion tool on my social media platforms, brochure and postcards, portfolio and at gradate exhibitions.

In critical analysis of my research for my final major project, I feel that I implemented a focused, relevant and thorough body of research. In discussion of my visual research, my collective primary imagery sourced through photography of urban environments provided me with interesting imagery to inform colour, form, structure, surface and construction. In reflection I feel this imagery could have been refined further. I could have used film to document this imagery, which would encourage a more considered selection of imagery. In analysis of my technical research, I felt this effectively informed the development of my design processes. The exploration of extreme non-fashion garments enabled me to collate specific research into construction, design details and materials which I could effectively apply to my fashion ideas, re-contextualising functional research into high fashion outcomes.

My technical research was also informed by my thorough exploration of functional and fashion materials. I feel that my awareness of alternative materials and considered fabric research was essential to the success of my collection. Trend lead research was also a critical part of my research for the final major project. Through the analysis of emerging menswear trends, I was able to design a collection which is visually and conceptually on trend. This research lead trend awareness has enabled me to demonstrate my understanding of current trends and forward thinking design approach. As a result, I feel this will enable my work to stand out though its innovation and contemporary trend conscious aesthetic at the graduate shows.

The work of others was an equally vital part of my final major project research. I found conducting a case study in Craig Green’s AW17 gave me a critical awareness of the composition of a professional fashion collection. I applied this knowledge to the planning and development of my final collection. This was an effective part of my research process and contributed to the overall success of my fashion collection. In final critical analysis of my research for the final major project, my creative research was highly supported by market awareness. The commercial consideration and research into my customer and market actioned by visiting Dover Street Market, effectively enabled me to support my innovative design direction with an commercial concept and direct my collection to the specific sector of the industry that I aim to pursue a career.

Throughout the third year of the degree – especially during my final major project, I have considered my future plans and career pathway post graduation. My internship at Harrods of London confirmed my ambitions to work as a womenswear or menswear designer for a high end brand, in which the designers have a strong influence over the design process and collections produced. I therefore tailored my FMP to directly apply to the sector of the industry I wish to target: high end – specifically small high fashion brands which are forward thinking and directional where commerciality remains relevant.

Through my work placement and industry mentor I have secured a graduate job as Design Assistant at Harrods of London. My plan of action in the next six months is to start the role at Harrods in July and move to London shortly after. In terms of my career pathway, I plan to gain industry design experience in London and in time progress to higher responsibility as designer within a brand. My long term ambition – in ten years time – is to be Head of Design in a directional fashion brand. I aspire to work for an upcoming fashion forward and luxury brand based in London, for example Vetements or Reconstruct Collective.

In overall evaluation, I am confident that I have conducted my personal development plan effectively and professionally throughout my final major project. This has been evidenced through my blog, and implemented via a considered self promotion plan, use of social media platforms, exhibition research and proposal, critical analysis of my research, analysis of the work of others, the industry mentor scheme, collation of professional contacts, my internship at Harrods of London and future career direction.

CV

FMP SCEDULE

BIBLIOGRAPHY

PERSONAL DEVELOPMENT PLAN

industry mentor: #4 FMP feedback and advice

After writing my initial FMP proposal and brief, I discussed my ideas with Meera to receive her thoughts and suggestions on project ideas. It was especially helpful in terms of interesting points of research. In our discussion, Meera suggested the following;

  • cp company – jackets that adapt into tents
  • urban survival
  • scott cohen
  • future systems – high concept architecture
  • circuit boards – mesh layers
  • hardware/vintage stores, Piccadilly
  • fim – blade runner
  • HR Giegier – Aliens film set

These were all useful points of interest for my research development. We also discussed my initial FMP colour palette. We agreed that it was too similar to Pre Collection, and Meera suggested it could be resolved by removing red or orange and introducing yellow and green alongside neutral greys. I took this feedback on board and resolved my issue with colour effectively.

The feedback on my FMP proposal from my mentor was a valuable discussion in terms of the development of this project at a professional standard. My mentor and I share similar interest and points of inspiration as designers. It was especially useful to receive an industry designer’s opinion when building my FMP idea, considering a professional design perspective.

industry mentor: #4 FMP feedback and advice

industry mentor: #3 CV and portfolio feedback

CV FEEDBACK

I sent my mentor my current CV and received some useful and constructive feedback for improvements. These were the ket points of feedback I received:

  • CV should read like a formal, professional document – no elaborate design or fonts, it should be simple and clear to read. Creative skills are shown through portfolio
  • Write in bullet pointed lists rather than paragraphs. This enables to read CV as check list, considering skills and past job roles and responsibilities.

I have made the appropriate amendments to my CV, considering this advice I simplified the design to reflect and clear and professional document. I also adapted initially paragraphed job descriptions into bullet pointed lists.

AMMENDED CV

PORFOLIO FEEDBACK

I also sent my mentor my Pre Collection portfolio. I received really positive feedback – no amendments needed for upcoming shows. The key piece of advice I received was to ensure to demonstrate commerciality through portfolio. Meera suggested this to be portrayed through technical drawings and descriptions, demonstrating a clear understanding of how the garment would be constructed and communicating small details such and inside finish. This is something I will consider in my FMP portfolio – a focus on technical drawings to show my understanding of garment construction and specifications.

 

 

industry mentor: #3 CV and portfolio feedback

internship at Harrods of London

During the summer break before third year, I worked as Design Intern for Harrod’s private label in a three month internship. The experience enabled me to apply and develop my skills in an industry environment, while gaining a strong understanding of the design process in a luxury fashion brand across womenswear, menswear and childrenswear. I found the design process used in industry is very similar to the working methods I use as an undergraduate. The use of CAD design: illustrator and portfolio presentation were essential to my role as design intern, it was a great opportunity to apply and develop these skills under industry specifications. In addition to developing my professional, technical and creative design skills, I also learnt to design for a specific market. I enjoyed working for a high end, luxury focused brand with limited production quantities. I found that the design team had huge input and management over the design and outcome of the collection, unlike a high street brand. I therefore planned to design my FMP considering a similar customer market and brand mentality to Harrods of London.

As an intern, I felt I was given a generous amount of design lead roles which gave me confidence in my design ability.  I also worked closely with the buying team, and found it was useful to gain and understand of product development from a buying perspective – something I will have to consider in any commercial design role. My roles and responsibilities as design intern included;

  • Assistant to Head of Design
  • Trend and design research
  • Seasonal trend moodboards
  • CAD design
  • Creating professional portfolios in presentation of design projects and seasonal collections
  • Working closely with the buying team
  • Participating in sample fittings
  • Completing technical garment specifications
  • Supporting garment technologist
  • Assisting in all areas of product development process
  • Completing successful collaborative and independent design projects across all departments
  • Member of the Harrods of London team, running errands and assisting in office duties
  • Participating in training and communicating with the retail team

In reflection, my internship at Harrods was an essential opportunity to develop my skills learnt on the degree within an industry environment. It gave me to confidence to believe that I have the necessary and level of skill to work in a fashion design role. Following the internship, I felt that I have conducted my FMP with a highly professional approach, with awareness of industry standards, and therefore working to that level throughout. My internship at Harrods and relationship built with my industry mentor over my final year has lead to a graduate job at Harrods of London and I will be returning when I finish the degree.

internship at Harrods of London

exhibitions plans

As I reach the end of third year, it is necessary to plan ahead for upcoming graduate shows and exhibitions – opportunities to promote my FMP and myself as an emerging graduate designer, in the hope of making industry connections and future career prospects.

My visit to New Designers 2016 was an excellent opportunity to get a feel for the show and collect creative ideas for exhibition presentation. In addition to what I learnt in the instalment of my work in progress show earlier this year, I feel confident in my exhibition plans and proposals for FMP.

Upcoming exhibitions:

New Designers – 28th June – 1st July

I plan to present a considered refinement of my work, consisting of selected garments, portfolio and photoshoot images. I want to use industrial fixtures and urban objects to present my work, so that my exhibition effectively reflects the mood of my project.

Degree Show – 16th – 22nd June

In the degree show exhibition of work, garments will be displayed collectively. My personal exhibition proposal is to display my portfolio and postcards on a industrial style shelf, with my promotional photoshoot image above, presented alongside my concept statement.

exhibitions plans

professional contacts

During my time on the degree – and especially in third year – have a built up a valuable bank of professional contacts. My work placement, year two industry presentation and the Nicole Abbott award were essential opportunities for me to make industry connections. The upcoming degree show and New Designers will be amazing opportunities to network and make new contacts, which could lead to future career opportunities and industry advice.  My mentor has been a vital professional contact throughout my third year, giving me feedback on my CV, portfolio and final major project. This industry contact has lead to a graduate role at Harrods once I finish my degree. Here is a list of my professional contacts gained during my degree, enabling me to successfully breach the gap between further education and employment.

  • Meera Pandya, Head of Design – Harrods of London
  • Rachael Eve, Buyer and Product Developer, Harrods of London
  • Elin Newland, Womenswear Designer, M&S
  • Clare, Head of Print Design, Paul Smith
  • Roz, Marketing, Paul Smith
  • David Lamb, professional photographer
  • Deimante Meilune, professional photographer

LINKEDIN

I have created a profile on Linkedin – this is an essential online platform for making professional connections with people in similar industries, enabling me to network online, seek career opportunities and promote myself as a fashion graduate and professional.

click to view my Linkedin profile 

 

professional contacts

CASE STUDY – Q&A

BA (hons) Fashion and Textiles | Sophie Sprittles | Year 3 | Age: 22 | Previous course: Colchester, Foundation Level 3 | Work Experience: Harrods of London | Specialism: Fashion

Why did you choose to study on the Fashion and Textiles programme at Colchester?

I chose the course at Colchester because I wanted to study Fashion and Textiles collectively, as I feel it is important for a fashion designer to have a technical understanding and creative ability in both areas. I was attracted to the friendly working environment, small year groups, approachable tutors and the department’s industry connections, as well as the connivence of close proximity to home and easy commute to London.

What do you think the benefits have been studying close to home?

Studying close to home has been especially beneficial finically. My student debt is significantly less due to living at home during my degree, and I was able to keep my part time job, run a car and be close to friends and family while studying. The connivence of living at home meant I had more time to focus on my degree and could afford to fund my studies.

What aspects of the course have you found challenging?

I found giving presentations the most challenging aspect, however over the course of three years my presentation skills have significantly improved and I have grown in confidence. Through the course I gave regular presentations as part of module assessments and had the opportunity to present my work to industry professionals, as well as participating in frequent group crib sessions. This enabled me to develop and refine my presentation skills. As a third year I now feel confident and experienced in a skill which I feel is vital in industry.

How has it been juggling deadlines and coping with the workload?

I found the workload manageable while maintaining good time management and organisation skills, which I developed on the course. This helped to juggle deadlines effectively, which are staggered throughout the year.

How have you found the assessment process?

The assessment process is well informed. At the beginning of each semester we are aware of the learning objectives and grading criteria, so it is clearly understood what is required to complete each module successfully. The grading is always received with thorough critical feedback.

Has the feedback helped you to develop your potential as a designer?

The frequent and constructive feedback I received throughout the course enable me to understand how exactly to develop and refine my work in order to achieve the best possible outcome, and therefore continuously work to strengthen and push my potential as a designer.

How has your work developed during your 3 years of study?

The progression of my creative work throughout the degree has been enriched by an understanding and experimentation of technical processes and working methods. After thoroughly exploring both fashion and textiles techniques in first year, I developed a strong interest in fashion construction. As my work evolved I began to challenge boundaries and explore more alternative fashion design.

Where do you find inspiration?

I am inspired by industrial architecture, city environments and machinery. In pre-collection, went to the science museum to look at aircraft and space mechanics. I also use WGSN to take inspiration from current trends and develop a current design concept. I look at interesting technical garments such as ski suits and CP Company jackets. This informs my design process – taking inspiration for construction, materials and design details. I also take inspiration from current collections and high fashion retail – I often visit Dover Street Market. My favourite designers are Craig Green and Vetements.

Tell us about your process, how do you develop your ideas?

I begin by refining my research to a series of selected imagery, creating visual moodboards of references for each look in my range plan. I allocate sourced fabrics, design details and components to each outfit, beginning to develop fashion ideas through drawing and collage. I design multiple variations of each outfit. I support my design development by exploring materials through modelling on the stand and sampling elements such as pockets, seams and construction techniques.

How would you describe your work, what makes it unique?

My work is innovative, trend-aware and high-fashion focused. I use alternative materials and extreme design detailing to create an extreme and often futuristic aesthetic.

As well as design and technical skills how have you developed as a person over the 3 year course?

I have grown in confidence, both personally and in my ability to succeed in my discipline. In third year especially, I became professional and independent in my learning approach – the final major project enabled to me to manage all aspects of my project and put all my skills and knowledge gained on the course into practice.

Looking back what has been the highlight of the course for you so far?

A highlight was being shortlisted for the Nicole Abbott Award. I had the opportunity to present my pre-collection to Sir Paul Smith, receive feedback on my work and visit his studios in London,

Tell us about the Industry Mentoring scheme and how it has worked for you?

The Industry Mentoring Scheme links each third year student with an industry professional. I was lucky to have worked with my mentor during my internship. I have had regular contact with my mentor throughout my third year, receiving feedback on my FMP and vital advice about career progression. The mentoring scheme successfully breaches the gap between university and industry, creating valuable contacts and opportunities for graduating students.

Have you completed any work experience ?

I worked as Design Intern for Harrod’s private label in a three month internship, which enabled me to apply and develop my skills in an industry environment, while gaining a strong understanding of the design process in a luxury fashion brand. My internship lead to a graduate job opportunity, I will be returning to work in a design role at Harrods of London when I finish my degree.

How has the course prepared you for your next step into the world of work?

I found during my internship that the design process we learn on the course is very similar industry practice. The industry project in Year 2 especially enables students to understand how to design for a commercial brief. We learn digital design skills such as Photoshop and Illustrator, which are vital to working in industry. Students are encouraged to seek internship opportunities during the course, which alongside the mentoring scheme significantly helped me to feel ready to work in an industry environment.

What advice would you give to someone thinking of applying to Colchester?

I would definitely encourage anyone thinking to applying to Colchester to seriously consider the course. I have throughly enjoyed my time at Colchester and I feel the course is unique in the sense that we have a huge amount of contact with tutors, which I believe helps students to be so successful on the course.

What advice would you give to someone that has been offered a place on the course?

I would advise anyone accepted to take the place. I have found studying Fashion and Textiles at Colchester has provided me with a diverse an enriched degree, while thoroughly preparing me to confidently progress into career in industry.

CASE STUDY – Q&A

competitions research

In the run up to completing my third year, I have researched the competitions on offer for emerging fashion/textile graduates during the showcase of work and upcoming exhibitions. There are a number of awards and prizes on offer during the judging process at New Designers. It’s interesting to have an understanding of the competitions on offer for graduate students, and to be aware of the requirements and prizes of awards that have criteria relevant to my work. By researching previous winners, I can gage the standard of work required to be considered for the competitions. These are the competitions which I think are most relevant to my major project and style as a designer.

Prize: £1,500 cash prize, £1,000 worth of legal advice and a year’s free membership to DesignProtect insurance service, as well as £2,000 worth of accounting and taxation advice. A ½ day focus on PR and marketing worth £500.

Awards Criteria: With one winner for each part of the event, these awards are highly prestigious and give the winning graduate the highest adulation at the event. An independent panel of judges will look for a winner who is innovative, inspiring, engaging and forward thinking, reflecting the core values of the BDC. The runner up receives a £500 cash prize.
Prize: £1000 to support their design and an opportunity to visit the Design team. 
Award Criteria: Creativity, Market research & relevance, Sustainability, Commercial understanding and presentation. The John Lewis award will be given to a designer whose design thinking, skill and creativity explores new territories for how we live now and in the future

Previous winner:  Rhianna Parker-Yates, Falmouth University: Collection of Woven Textiles

Judges Comments: “This is a beautiful, sophisticated and accomplished collection. Rhianna shows innovative use of traditional techniques with a considered sensitivity to colour and composition.”

In addition to the competitions at New Designers, the H&M Design Award is an exciting opportunity for emerging fashion graduates. The competition is open to graduating 2017 BA or MA students with garment-based collections. 

Prize: €25,000 and s a six month, paid internship at H&M’s Head Office in Stockholm, working alongside the design team that develops the most fashion-forward collections. All finalists, including the winner, will be awarded €5,000.

To enter, students must upload their portfolio by July 31, 2017. This is a high profile graduate fashion competition which I feel is worth applying using my FMP portfolio.

Previous Winner: Richard Quinn from Central Saint Martins, 2017

‘”26 year-old Richard Quinn impressed the jury with his unique vision for the future of fashion. The London-born graduate from the Central Saint Martins MA course not only cuts womenswear pieces that are both striking and desirable. He also prints all of his own fabrics using ethical processes, and plans to open a print studio that will become a creative hub for other young designers in London.”

 

competitions research